Best Movie Themes
In honor of the Oscars, we've ranked the biggest film songs to ever hit the Hot 100.
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- Collection of the best movie theme songs and soundtracks. Includes themes from Braveheart, The Godfather, Good, Bad and the Ugly, Lord of the Rings, and many more.
- Best Film Scores and Movie Soundtracks: See below AFI's 100 Years of Film Scores, a selection of the top 25 Film Scores voted upon in 2005.
Movies and music have been a natural combination ever since sound was first added to moving images. Whether a film is a tear-jerking drama, an action-packed thriller or a side-splitting comedy, the right song at the right moment will always elevate the impact of a scene. Not only that, many songs written for films have stood on their own, with the popularity of some eclipsing the movies that inspired them. With the 86th Academy Awards approaching, here's a look back at the 50 biggest Hot 100 hits that arose from being featured on the silver screen.
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This ranking is based on actual performance on the weekly Billboard Hot 100 chart. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at No. 100 earning the least. To ensure equitable representation of the biggest hits from each era, certain time frames were weighted to account for the difference between turnover rates from those years.
'Check On It' - BeyoncéHot 100 Peak Position: 1 (five weeks), Peak Date 2/4/2006
Beyonce's song was supposed to be on the 2006 soundtrack to 'The Pink Panther' remake in which she co-starred with Steve Martin. But instead the track played during the movie's closing credits and gained lots of popularity with a Hype Williams-directed music video.
'Wind Beneath My Wings' - Bette MidlerHot 100 Peak Position: 1, Peak Date: 6/10/1989
Written by Jeff Silbar and Larry Henley in 1982, 'Wings' was recorded by a number of artists, including Sheena Easton and Gladys Knight. But the song's biggest success came in 1989 when Midler's rendition played over the tear-jerking scene in 'Beaches,' and won both Song and Record of the Year Grammys.
'Two Hearts' - Phil CollinsHot 100 Peak Position: 1 (two weeks), Peak Date: 1/21/1989
Collins starred in the gangster film 'Buster,' which was based on the real-life Great Train Robbery in the U.K. and he also contributed two no. 1 singles to the soundtrack, 'A Groovy Kind of Love' and 'Two Hearts.' But 'Two Hearts' was the tune that went on to grab both an Oscar nomination and a Grammy win.
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'Cradle of Love' - Billy IdolHot 100 Peak Position: 2, Peak Date: 8/4/1990
One of Idol's most successful single came thanks, in part, to David Fincher, who directed its music video. It also came in spite of this forgettable Andrew Dice Clay flick.
'Shakedown' - Bob SegerHot 100 Peak Position: 1, Peak Date: 8/1/1987
Seger's 'Beverly Hills Cop II' song became his only Hot 100 no. 1 single, and was performed by Little Richard at the Oscars, where it was nominated for Best Original Song.
'Maniac' - Michael SembelloHot 100 Peak Position: 1 (two weeks), Peak Date: 9/10/1983
Michael Sembello's driving tune was the perfect choice for Jennifer Beals' training montage in 'Flashdance' as she works on her dance moves, and it would later be spoofed in 'Tommy Boy' when Chris Farley gets mud hosed off of him at a gas station.
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'Kiss' - Prince And The RevolutionHot 100 Peak Position: 1 (two weeks), Peak Date: 4/19/1986
Two years after the success of 'Purple Rain,' Prince directed and starred in 'Under the Cherry Moon.' 'Kiss' was the top single off the Purple One's soundtrack album for the film, 'Parade: Music from the Motion Picture Under the Cherry Moon,' and earned him his fourth Grammy, this one for Best R&B Performance by a Duo or Group with Vocal.
'St. Elmo's Fire (Man In Motion)' - John ParrHot 100 Peak Position: 1 (two weeks), Peak Date: 9/7/1985
Parr and David Foster originally wrote this anthem about getting older and facing hardship for paralyzed athlete Rick Hansen, who circled the world in a wheelchair on what was called the 'Man in Motion Tour.' The single spent two weeks at no. 1 following the success of the Brat Pack film.
'Don't You (Forget About Me)' - Simple MindsHot 100 Peak Position: 1, Peak Date: 5/18/1985
Billy Idol, Bryan Ferry, and the Fixx's Cy Cumin all passed on recording this song before it went to Scottish rock band Simple Minds, who also initially declined to record it. John Hughes then used it at the end of 'The Breakfast Club' to create one of the most lasting images for any teenager who's seen the film.
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'9 To 5' - Dolly PartonHot 100 Peak Position: 1, Peak Date: 2/21/1981
Dolly Parton made her film acting debut in the female-empowerment workplace comedy '9 to 5' alongside Jane Fonda and Lily Tomlin. The title track won two Grammys.
'Don't Let Go (Love)' - En VogueHot 100 Peak Position: 2, Peak Date: 1/18/1997
The ladies of En Vogue had one of their biggest singles on the soundtrack of the crime film 'Set It Off,' which starred Jada Pinkett, Queen Latifah, and Vivica A. Fox. The track rose to No. 2, rivaling their previous Hot 100 No. 2's, 'My Lovin' (You're Never Gonna Get It)' in 1992 and 'Hold on' in 1990.
'Stay (I Missed You)' - Lisa Loeb & Nine StoriesHot 100 Peak Position: 1 (three weeks), Peak Date: 8/6/1994
Loeb's big break came through her across-the-street neighbor, Ethan Hawke, who starred opposite Winona Ryder in the famous Generation X film 'Reality Bites.' Hawk brought in her song 'Stay,' which played over the movie's closing credits, and directed its one-take music video.
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'Blaze Of Glory' - Jon Bon JoviHot 100 Peak Position: 1, Peak Date: 9/8/1990
Even though 'Wanted Dead or Alive' was the original request for the western 'Young Guns II,' JBJ apparently wanted to record a song that was literally about gunslingers. The resulting single became Jon's biggest solo single away from his Bon Jovi mates.
'Kiss From A Rose' - SealHot 100 Peak Position: 1, Peak Date: 8/26/1995
Joel Schumacher's use of Seal's 'Kiss From A Rose' over the end credits of his Val Kilmer-led 'Batman Forever' flick propelled the song to the top of the Hot 100 in the summer of 1995.
'Ghostbusters' - Ray Parker Jr.Hot 100 Peak Position: 1 (three weeks), Peak Date: 8/11/1984
Parker originally wrote the tune as a play on the Ghostbuster's cheap-looking commercial in the film, and the music video featured cameos by stars Chevy Chase, John Candy, Danny DeVito, and many more comedic actors. Parker and others were sued over similarities to Huey Lewis' 'I Want a New Drug,' and they settled out of court. But the Oscar-nominated Ray Parker Jr. song forever told everyone, 'who you gonna call' when 'there's something strange in your neighborhood.'
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'Magic' - Olivia Newton-JohnHot 100 Peak Position: 1 (four weeks), Peak Date: 8/2/1980
The 1980 film 'Xanadu,' starring Newton-John as a muse who helps an artist open a nightclub, features this pop hit, which was also Olivia's biggest hit until the following year's smash 'Physical.'
'La Bamba' - Los LobosHot 100 Peak Position: 1 (three weeks), Peak Date: 8/29/1987
With musical direction by Carlos Santana, Lou Diamond Phillips' performances of young star Ritchie Valens were backed by Los Lobos. For the soundtrack, the group updated Valens' 1958 single, which itself was based on a Mexican folk song, and took 'La Bamba' to the top of the Hot 100.
'I Just Called To Say I Love You' - Stevie WonderHot 100 Peak Position: 1 (three weeks), Peak Date: 10/13/1984
Wonder's hit won Best Original Song at the Oscars and Golden Globes after appearing on the soundtrack for the comedy 'The Woman In Red.'
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'The Power Of Love' - Huey Lewis & The NewsHot 100 Peak Position: 1 (two weeks), Peak Date: 8/24/1985
In 'Back To The Future,' Michael J. Fox's Marty McFly and his band 'perform' this song at the high school talent show auditions, only to have Marty bungle the rendition with his ostentatious guitar soloing. Huey plays the judge that shoots them down, saying they're 'just too darn loud.' But in real life, the track (actually performed by Lewis and the News) totally rocked the charts: It was the group's first No. 1.
'Nothing's Gonna Stop Us Now' - StarshipHot 100 Peak Position: 1 (two weeks), Peak Date: 4/4/1987
Songwriter Albert Hammond wrote this Starship track with Diane Warren, inspired by his upcoming marriage, for the '87 comedy 'Mannequin,' starring Andrew McCarthy and Kim Cattrall. Proving that even hockey players are suckers for '80s power-pop, the Montreal Canadiens used this as a inspiration during their eventually victorious 1993 Stanley Cup run.
'Can't Help Falling In Love' - UB40Hot 100 Peak Position: 1 (seven weeks), Peak Date: 7/24/1993
Elvis' original version of this song, which was featured in his movie 'Blue Hawaii,' hit No. 2 on the Hot 100 in 1962. Thirty-one years later, British reggae group UB40's version was featured on the soundtrack to the Sharon Stone thriller 'Sliver.' The remake bested Elvis by topping the Hot 100 for seven weeks.
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'Against All Odds (Take A Look At Me Now)' - Phil CollinsHot 100 Peak Position: 1 (three weeks), Peak Date: 4/21/1984
When asked to provide a song for the Jeff Bridges flick 'Against All Odds,'
Collins revisited this song, which he'd worked on during sessions for his 1981 solo debut, 'Face Value.' The finished track, which appeared on the film's 1984 soundtrack, and won the Grammy for Best Pop Vocal, and earned an Oscar nomination. 'Footloose' - Kenny LogginsHot 100 Peak Position: 1 (three weeks), Peak Date: 3/31/1984
The soundtrack to this well-loved Kevin Bacon flick featured a number of hits, including Bonnie Tyler's 'Holding Out for a Hero' and Deniece Williams' 'Let's Hear It for the Boy,' but the biggest was Kenny Loggins' title track.
'Separate Lives' - Phil Collins & Marilyn MartinHot 100 Peak Position: 1, Peak Date: 11/30/1985
the film 'White Nights,' which starred Mikhail Baryshnikov and Gregory Hines as dancers attempting to flee the Soviet Union. 'Separate Lives' was nominated for an Oscar, but lost to another White Nights song, Lionel Richie's 'Say You, Say Me.'
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'Crazy For You' - MadonnaHot 100 Peak Position: 1, Peak Date: 5/11/1985
This 'Vision Quest' hit came about when producers were looking for an appropriate song to use during a scene in which stars Matthew Modine and Linda Fiorentino meet at a club. Madonna's ballad 'Crazy for You' was her second no. 1 single and her first song nominated for a Grammy.
'Arthur's Theme (Best That You Can Do)' - Christopher CrossHot 100 Peak Position: 1 (three weeks), Peak Date: 10/17/1981
Despite having a star in Liza Minnelli, Christopher Cross got the honors to perform the theme song for the Dudley Moore comedy 'Arthur.' Co-written by Burt Bacharach, the track – which literally rehashes the plot – won an Oscar and Golden Globe in 1981.
'I Wanna Sex You Up' - Color Me BaddHot 100 Peak Position: 2, Peak Date: 6/8/1991
It seems odd that this Oklahoma R&B group would have a hit featured gritty big city crack drama starring Wesley Snipes and Ice T, but strange things happen in 'New Jack City.' This mid-tempo jam rose to just shy of the top of the chart.
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'To Sir With Love' - LuluHot 100 Peak Position: 1 (five weeks), Peak Date: 10/21/1967
The sentimental school drama 'To Sir With Love,' starring Sidney Poitier, utilized this song at a turning point in the film, with Lulu performing it at a class dance.
'It Must Have Been Love' - RoxetteHot 100 Peak Position: 1 (two weeks), Peak Date: 6/16/1990
After the Swedish Duo topped the Hot 100 with 'The Look' and 'Listen to Your Heart,' they were asked to contribute a song to the hit Julia Roberts flick 'Pretty Woman,' and went with this bittersweet break-up track.
'Evergreen' - Barbra StreisandHot 100 Peak Position: 1 (three weeks), Peak Date: 3/5/1977
In the film 'A Star Is Born,' Streisand plays an up-and-coming singer who meets a successful musician played by Kris Kristofferson. In a case of life imitating art, Streisand's character wins a Grammy in the film, and in real life, 'Evergreen' later won the Song of the Year Grammy as well as an Oscar.
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'Lose Yourself' - EminemHot 100 Peak Position: 1 (12 weeks), Peak Date: 11/9/2002
For a bit of meta theater, Eminem wrote and performed this song about the his '8 Mile' character B-Rabbit, a fictional take on the struggles of the real-life Marshall Mathers. The track, written on the movie set, won the Best Original Song Oscar and two Grammys.
'When Doves Cry' - Prince And The RevolutionHot 100 Peak Position: 1 (five weeks), Peak Date: 7/7/1984
The last song penned for the film, Prince wrote this 'Purple Rain' track overnight to match a scene in the movie. On top of that, he played played every instrument on the recording, which became the first single and biggest from an incredible soundtrack.
'Because You Loved Me' - Celine DionHot 100 Peak Position: 1 (six weeks), Peak Date: 3/23/1996
Songwriter Diane Warren wrote this song about her father's support, though its link to its cooresponding film, 'Up Close & Personal,' is meant to evoke the Robert Redford character's love for an aspiring news anchor played by Michelle Pfeiffer. Dion's recording of the track went on to win a Grammy.
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'Independent Women Part I' - Destiny's ChildHot 100 Peak Position: 1 (11 weeks), Peak Date: 11/18/2000
Destiny's Child were the perfect choice to perform an anthem for the powerful trio of ladies in the 'Charlie's Angels' remake. And carrying on the theme of threes, the song was the group's third Hot 100 No. 1.
'The Way We Were' - Barbra StreisandHot 100 Peak Position: 1 (three weeks), Peak Date: 2/2/1974
Written by Alan and Marilyn Bergman with Marvin Hamlisch, Barbra Streisand recorded this enduring ballad for the romantic movie of the same name, in which she starred opposite Robert Redford.
'Raindrops Keep Fallin' On My Head' - B.J. ThomasHot 100 Peak Position: 1 (four weeks), Peak Date: 1/3/1970
Penned by Hal David and Burt Bacharach, B.J. Thomas' recording of 'Raindrops' was featured in 'Butch Cassidy and the Sundance Kid,' playing while star Paul Newman performed stunts on a bicycle. It went on to win the Oscar for Best Original Song.
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'Say You, Say Me' - Lionel RichieHot 100 Peak Position: 1 (four weeks), Peak Date: 12/21/1985
This Richie no. 1 was the breakout song from the Mikhail Baryshnikov and Gregory Hines film 'White Nights.' The Oscar-winning track was oddly not released on the soundtrack, but later, in 1986, it served as the closing track on Lionel's 'Dancing on the Ceiling' album.
'Gangsta's Paradise' - Coolio feat. L.V.Hot 100 Peak Position: 1 (three weeks), Peak Date: 9/9/95
Coolio's theme song for the inner-city drama 'Dangerous Minds' takes its musical cues from Stevie Wonder's 1976 song 'Pastime Paradise.' Wonder later joined the rapper and singer L.V. for a performance at the Grammys, where the track won Best Rap Solo Performance, among other awards.
'Stayin' Alive' - Bee GeesHot 100 Peak Position: 1 (four weeks), Peak Date: 2/4/1978
With its driving beat, funky guitar riff and falsetto, the Bee Gees created a disco classic about urban living that's difficult to hear without picturing John Travolta, suited in all white, doing his thing on the dance floor in the movie 'Saturday Night Fever.' Coincidentally, the rhythm of the song matches almost perfectly with the recommended number of chest compressions during CPR, and paramedics are encouraged to think of the song while performing the procedure.
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'Call Me' - BlondieHot 100 Peak Position: 1 (six weeks), Peak Date: 4/19/1980
Giorgio Moroder originally wanted to collaborate on the 'American Gigolo' theme song with Stevie Nicks, but she had to decline. He then enlisted Debbie Harry, who wrote the song in a few hours based on the film's opening scene of Richard Gere cruising around California in a convertible.
'End Of The Road' - Boyz II MenHot 100 Peak Position: 1 (13 weeks), Peak Date: 8/15/1992
Written by Kenneth 'Babyface' Edmonds, L.A. Reid and Daryl Simmons for the Eddie Murphy movie 'Boomerang,' the Boyz II Men hit spent 13 weeks at No. 1. Three weeks after it left the top spot, Whitney Houston's 'I Will Always Love You' (from 'The Bodyguard' soundtrack) took over.
'I Will Always Love You' - Whitney HoustonHot 100 Peak Position: 1 (14 weeks), Peak Date: 11/28/1992
Dolly Parton wrote 'I Will Always Love You' in 1973 but it found its way onto 1992's soundtrack for 'The Bodyguard' after star Kevin Costner played Linda Ronstadt's 1975 version for Whitney Houston. Houston's smash-hit cover reigned on the Hot 100 for 14 weeks and became her signature song.
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'Night Fever' - Bee GeesHot 100 Peak Position: 1 (eight weeks), Peak Date: 3/18/1978
Producer Robert Stigwood engaged the Bee Gees to provide songs for the film, originally to be called 'Saturday Night.' When he asked them to change the song's name to match the movie, the group declined, saying there were already too many songs with 'Saturday' in the title. Eventually, Stigwood relented and made the brilliant decision to mix this song's title with his original film title and rename the film, 'Saturday Night Fever.'
'Flashdance. . . What A Feeling' - Irene CaraHot 100 Peak Position: 1 (six weeks), Peak Date: 5/28/1983
Co-written by Giorgio Moroder, the 'Flashdance' title track plays as Jennifer Beals' character Alex auditions for a stodgy dance conservatory board, only to wow them when the song turns from ballad into uptempo pop. It would later win an Oscar and a Golden Globe.
'Eye Of The Tiger' - SurvivorHot 100 Peak Position: 1 (six weeks), Peak Date: 7/24/1982
Sylvester Stallone originally wanted to use Queen's 'Another One Bites the Dust' for the Rocky III training montage, but Freddie Mercury and co. wouldn't grant them the license. So Sly turned to Survivor's Jim Peterik and Frankie Sullivan, who wrote the cut 'Eye Of The Tiger' in part by timing the guitar and drum hits to coincide with Rocky's punches.
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'How Deep Is Your Love' - Bee GeesHot 100 Peak Position: 1 (three weeks), Peak Date: 12/24/1977
The Bee Gees' ballad became one of their biggest hits from 'Saturday Night Fever,' reflecting the brotherly trio's ability to pen non-disco smashes like this alongside dancefloor favorites.
'The Theme From 'A Summer Place' - Percy Faith And His OrchestraHot 100 Peak Position: 1 (nine weeks), Peak Date: 2/27/1960
The instrumental hit from the 1959 drama soundtracked the romance between stars Sandra Dee and Troy Donahue and spent nine weeks atop the Hot 100.
'(Everything I Do) I Do It For You' - Bryan AdamsHot 100 Peak Position: 1 (seven weeks), Peak Date: 7/27/1991
The classic English story 'Robin Hood: Prince of Thieves' found simultaneous box office and musical success with an accent-less American actor and a power ballad by a Canadian rock star. The track became Adams' biggest hit, spending seven weeks at No. 1.
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'Endless Love' - Diana Ross & Lionel RichieHot 100 Peak Position: 1 (nine weeks), Peak Date: 8/15/1981
The Brooke Shields-led movie 'Endless Love' led to what Billboard previously revealed was the biggest duet hit of all time, Diana Ross and Lionel Richie's inspired pairing on the title track. It was also the biggest hit of each of the legendary singer's careers, spending 27 weeks on the chart, nine of them at no. 1.
'You Light Up My Life' - Debby BooneHot 100 Peak Position: 1 (10 weeks), Peak Date: 10/15/1977
The 'You Light Up My Life' film's title song – originally recorded by classically trained singer Kasey Cisyk for use in the movie – was remade for the soundtrack album by Pat Boone's daughter Debby. The track spent 10 weeks atop the Hot 100, won an Oscar, and shared the Best Song Grammy in a tie with Barbra Streisand's 'Evergreen (Love Theme from A Star Is Born).'
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Forget what the snooty musoes think. There’s no shame in owning a shelf full of movie soundtracks. No mere compilation albums, the great ones - via their bonding with focused, cinematic works - are fantastic, smartly curated collections of specific mood and tone, even when there isn’t a single original track to be found.
And as the medium of film moves forward, soundtracks only get more experimental, creative, and artistically nourishing. But what's essential, right now? With such a vast, eclectic spread of music out there, we've broken this list down into two categories, starting with song-based soundtracks of licensed and original music, before moving on to the more traditional film scores that you categorically need in your collection.
High Fidelity (2000)
The soundtrack: An explosion of effusive indie pop, folk, rock, and psychedelia. Working hard to meet the challenge of soundtracking a movie about hardcore musical snobs, the compilation of credibility fleshing out this record would surely do the music shop characters in High Fidelity proud. With less obvious tracks by obvious artists such as Bob Dylan and Elvis Costello rubbing shoulders with ‘90s left-field from Smog and Stereolab, and a splash of Velvet Underground and the 13th Floor Elevators on top, there’s no filler to be found.
Best song: Stevie Wonder’s sonorous ‘I Believe (When I Fall In Love It Will Be Forever)’.
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The Blues Brothers (1980)
The soundtrack: The Blues Brothers is part action comedy, part loving tribute the entire history of the musical genre it focuses on. With the movie featuring no end of cameos from serious music stars – among them Ray Charles, James Brown and Cab Calloway - there was no way the soundtrack was ever going to be anything less than a blues and soul powerhouse.
Best song: Aretha Franklin swings considerable diva heft with show-stopper ‘Think’.
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Purple Rain (1984)
The soundtrack: Prince’s entrance to the movie world might be a shameless (and shaky) star vehicle, but as a delivery mechanism for a new set of its star's tunes, it's more than justifiable. Because when you have Prince in a musical movie’s leading role, playing a musician loosely based on Prince, then you inevitably get a bona fide Prince album as the soundtrack. Not only that, but one of his best. The film might not exactly be a classic, but its soundtrack certainly is.
Best song: ‘Purple Rain’ of course, an evocative screecher if there ever was one.
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American Graffiti (1973)
The soundtrack: The definition of a happy accident, the soundtrack to George Lucas' ode to early ‘60s rock ‘n’ roll culture is as much the product of budgetary constraints as directorial decisions. Universal originally wanted to save money by hiring an orchestra to play sound-a-like alternatives to the vintage rock and pop Lucas wanted, but eventually relented, offering an equal deal to all music publishers involved. It worked - for all artists bar Elvis, hence his conspicuous absence - but left no money for an actual score. Hence, American Graffiti is an encyclopedic, but very carefully chosen, selection of the music of the era. Instant classic.
Best song: ‘Why Do Fools Fall in Love?’ by Frankie Lymon & The Teenagers.
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Reservoir Dogs (1992)
The soundtrack: An early statement of Tarantino's puristic, off-kilter musical intent, Reservoir Dogs set the model for the director's future works, unearthing forgotten classics and making the kitsch cool by cinematic association. In terms of production, the blend of ‘70s pop and actual film dialogue a heck of a dynamic LP – and set the mould for Quent’s future movie albums.
Best song: 'Little Green Bag' and 'Stuck in the Middle with You' might get all the set-piece attention, but it's really all about Harry Nilson's 'Coconut'.
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Shaft (1971)
The soundtrack: Technically a hybrid of songs and instrumentals, the Shaft soundtrack is nontheless another great example of a consistent artistic vision delivering a stellar and distinct soundtrack. Isaac Hayes might have taken the Shaft job in the hope of landing the leading role - he didn’t get that role - but what he created is now even more iconic than the film that spawned it. It was inducted into the National Recording Registry by the Library of Congress in 2014, for being 'culturally, historically, or aesthetically significant, and is also the biggest selling LP ever released by soul label Stax Records.
Best song: ‘Theme From Shaft’ is recognisable even to those who have never seen the film, that’s how much it’s been absorbed into the collective consciousness.
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The Wedding Singer (1998)
The soundtrack: A hefty compilation that pairs New Wave with the cheesiest of cheesy pop that the '80s has to offer. The more hilariously miserable of Adam Sandler’s two original tunes is also present and correct, making this legitimately funny, as well as a great cross-section of the period.
Best song: For all the '80s purity on offer, ‘Somebody Kill Me’ by Adam Sandler never gets old. Otherwise Flock of Seagulls' ‘Space Age Love Song’. Or Bowie's ‘China Girl’. Or ‘Blue Monday’. Look, it's pretty much all brilliant, okay?
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Romeo + Juliet (1996)
The soundtrack: Updating Shakespeare as an entirely holistic production, the Romeo + Juliet soundtrack does as much to invigorate the story as the film’s modern setting and surreal-edged party visuals. Baz Luhrmann’s love of musicals and knowledge of contemporary pop helped him stitch together a string of songs that were equal parts playful, emotional, and poignant. A perfect fit for a modern version of the source material then, basically.
Best song: Garbage’s ‘#1 Crush’ drags the star-crossed lovers into the modern world, while Des’ree’s ‘Kissing You’ brings the pain.
Best Movie Themes Piano
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Quadrophenia (1979)
The soundtrack: A largely Who-focused album - like that’s ever a bad thing - the soundtrack to the film version of the band’s 1973 rock opera preserves 10 of the 17 songs in lightly remixed and rerecorded form. But the film version isn’t merely a cleaned-up retread, the final quarter of the album taking in a good chunk of soul greats as well, including James Brown, Booker T and the MGs, and The Ronettes. Mahabharat all episodes free download.
Best song: ‘The Real Me’ by The Who gets us punching the air every time.
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Pulp Fiction (1994)
The soundtrack: Tarantino continues to corner the market in obscure but super-cool movie soundtracks, this one easily on par with Reservoir Dogs. This one adds a decent chunk of surf rock to Tarantino’s traditional mix of rock, pop, and soul, a genre Tarantino described as “rock 'n' roll Ennio Morricone music, rock 'n' roll spaghetti Western music”. He’s got a point. Ans where else could you find Chuck Berry and Al Green side-to-side with Kool & The Gang?
Best song: ‘Misirlou’ by Dick Dale & His Deltones is Pulp Fiction , there’s simply no getting around it.
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